Post by LuckyLadybug on Oct 18, 2012 13:47:09 GMT -8
I don't usually name blurbs (unless I have to), nor do I usually post them anywhere other than Livejournal.com, but I'm rather pleased with this thing and wanted to share it with other WWW fans. I haven't written extensively for Jim and Arte since The Moving Wound, and I'm kind of giddily pleased with their characterization here. It just flowed.
It is a blurb, but it can hopefully stand on its own, with this background information: Jim, Arte, and some criminals have been mysteriously zapped into the present-day. Jim and Arte are trying to figure out what happened and how to get home. Some of their enemies ... really don't want to leave. For assorted reasons.
I've had plans for a full-length time-travel fic using this plot and crossing over with Perry Mason. This blurb doesn't actually cross with anything, but it does reference Ray Norman, a oneshot character from an episode of Cannon: lucky-ladybugs-lovelies.tumblr.com/post/33517188614/in-spite-of-my-best-efforts-i-was-unable-to-keep
I may post some other stand-alone scenes from this story here, to test them out, if anyone's interested.
The gun was pointed at them before they even made it to the front of the golf cub. The waning light of the afternoon sun reflected off the barrel, as though signaling the danger.
Instinctively Arte reached for his own weapon. It was unlike him to be the first to go for a gun; he preferred to avoid force wherever and whenever he could.
But he, perhaps, had more to fear from the gunman on the porch than did Jim. It had been Arte who had been captured and threatened with sick torture by the gang leader. Whether or not he had intended to fully go through with it, the build-up had been bad enough. Despite having been perfectly calm during the actual situation, Arte still shivered when he thought about it. Being bitten by ferrets carrying an unknown bug and thinking you were bacon was the stuff of nightmares.
“Well. James West and Artemus Gordon. So you really do track your prey to the ends of the earth.”
Jim narrowed his eyes almost imperceptibly. “Of all the places I thought we might find you, Rodman, I never thought it would be here.”
Coley Rodman merely shrugged. “I don’t care for the game, if that’s what you’re wondering.”
Arte stepped forward. “So why are you here?” he demanded. He was aware of the harsh, bitter tone to his voice, but he could not help it.
“That, Gordon, is none of your business.”
“Are you Ray Norman’s bodyguard?” Jim demanded. “Is that why you’ve been at his club for months on end as his guest?”
“No,” Coley returned, his voice firm and sharp. “I’m not his bodyguard.”
Arte nodded in knowing exasperation, having expected a brush-off. “So I suppose you just decided to park here indefinitely, for no particular reason.”
“Does Norman know you’re not from his time?” Jim wanted to know.
“Would it surprise you if I said he does?” Coley shrugged. “And he knows what I did. He doesn’t care.”
“He believes you?” Arte exclaimed, incredulous.
“He believes me. And it’s really of no consequence to you or West.” Coley smirked at him. “As long as I haven’t committed any crimes in this day and age, the authorities can’t touch me. And by the way, you’re not ‘the authorities’ here, either.”
“We can’t leave you here.” Jim’s tone was flat and matter-of-fact. “And you can’t stay.”
“Can’t I?” Coley leaned back in the chair. For a moment an expression of pain creased his features. But then it was gone and he was smirking at the agents again, seeming to enjoy their little standoff.
“Of course you can’t,” Arte retorted. “You don’t belong here! You belong back with us.”
“And what’s waiting for me there? A prison sentence, maybe even a hanging.” Coley had lowered the gun, but now he had it pointed at Arte, his shooting arm resting on his lap. “Do you honestly expect me to drop everything and go back with you to that?”
“It’s of your own making, Rodman,” Jim said. “You didn’t have to choose a life of crime, but you did. Now you have to accept the consequences.”
Coley’s eyes narrowed now. “There are many paths these consequences can take.”
“And just what’s that supposed to mean?” Arte growled. There was something strange about their enemy now, something he could not quite put his finger on. Of course, they had only run across him a handful of times before, but those cases had been so memorable that it was all at once obvious that something was different.
“I don’t have to explain myself to you, Gordon.” And Coley was determined to not. He switched the subject.
“In this time, I’m not wanted for anything. And I don’t see the space-time continuum shorting itself out over my being here. I could live out my life now without any conflicts—except from the two of you.”
Jim was unmoved. “The space-time continuum isn’t even an issue here. As government agents, we can’t just allow you to wander around, in any time. And we have no guarantee that you’re not committing crimes now, either.”
Arte nodded. “You might think that these modern-day prisons would just give you a slap on the wrist and set you free. Which might not be too far from the truth,” he muttered.
“Your benefactor, Ray Norman, is a known blackmailer,” Jim said. “You could be working on some scheme together.”
“But we’re not.” Coley glanced to the front door of the club. “Norman has no desire to become involved in any more blackmail or anything else criminal. The two years he was driven out of his mind by that mad scientist broke him down and erased all taste for crime. You can ask him yourself and see if you think he’s lying.”
“Maybe I could believe that of him,” Jim said. “When I met him before, he seemed like the broken man you say he is.
“But I can’t believe it of you. Not Coley Rodman, the unrepentant gang leader who had no qualms about freezing entire towns in place so he could loot the buildings.”
“Believe what you want.” Coley looked bored now. “You know, West, I have the upper hand here.”
“How do you figure?” Jim frowned.
“Easy. You and Gordon are trying to keep as low a profile as possible. You can’t tangle with the authorities or say that you’re from 140 years in the past. You know they’ll think you’re both insane.
“So, if I decided to pick up this communicating device . . .” He indicated a cellphone on the table next to him. “. . . I could contact the police and tell them that you’re trespassing on Ray Norman’s property. And since I’m allowed to stay here as his guest—as you yourself pointed out—who do you think will be arrested? Surely not me.”
Arte exhaled, deeply and in obvious frustration. “As much as I hate to admit it, Jim, he has a point,” he said through clenched teeth. “We can’t risk bringing the police down on our heads and becoming fugitives in this time we still know very little about.”
Jim stared at Coley for a long moment before nodding and stepping back. “So we can’t take you on Norman’s property,” he conceded. “But you’ll have to stay on it indefinitely if you don’t want to chance being arrested and taken back to the time you belong in.”
“You don’t even know how to get back yet,” Coley challenged. “And until you have a way, I’d be dead weight to you here. You won’t do anything to me, on or off this property.”
Arte closed his eyes, fighting for patience. “Rodman, if it’s the last thing we do, we’ll find that way to get back. And we’ll take you with us.”
“You’ll try.” Coley finally replaced the gun in its holster. As he did, he grimaced again, this time more intensely. A hand flew to his chest.
Jim watched him. It was not a trick; he was definitely in pain. “What happened to you?” Jim asked.
Coley straightened. As he took his hand away, a bit of crimson showed through his shirt. “That,” he replied, “is also none of your business.
“Now . . .” He nodded towards the driveway. “Get out. Both of you.”
“Gladly,” Arte snapped.
Jim was silent as they trouped back down the driveway. Arte could not hold his tongue.
“Boy, was that a jolly place!” he exclaimed. “And did we ever fail. Jim, how are we going to get him out of there?”
“I don’t know,” Jim said vaguely. “Maybe we can’t.
“Arte . . .” He looked to his friend. “Wasn’t there a story in the news about an attack on Norman’s life some time ago?”
“Yes,” Arte remembered. “That’s right! It was around the time we first showed up here.” He stiffened. “Jim! Are you thinking that maybe Rodman did it and was wounded in the attempt? Maybe now he’s holding Norman hostage, so to speak. Maybe Rodman is really the one pulling the strings here at the club.”
But Jim slowly shook his head. “That wasn’t what I was thinking.” As they reached the gate and stepped through, he glanced back. Coley was still on the porch, watching them. Jim turned away, facing Arte again.
“That man’s dead, Arte. It said in the article that one of Norman’s guests shot the would-be murderer and was nearly killed himself when the gunman fired at him right before dying. It didn’t say who that guest was.”
Arte’s jaw dropped. “Oh, come on, Jim. You surely can’t think . . .”
“In some strange way, Arte, it might make sense. I was wondering why he never once got up while we were there. It seems he would have, at least while ordering us away.”
Arte finally nodded. “But a serious wound, one he might still be recovering from, could have kept him down,” he acknowledged. “The last thing he would want would be to let us know he was injured and therefore, not at his full strength.”
“Right. And you remember that newspaper article we found when we first realized Rodman was here. He acted awfully protective of Norman against the reporters trying to mob him about his time in the sanitarium.”
Arte frowned. “I know, but I thought what you thought, Jim—that he was Norman’s hired bodyguard.”
“But he denied it,” Jim returned. “And on that point, at least, I think I believe him. He’d have no reason to deny it if it were true. He’s aware of those newspaper stories and pictures.”
Arte just stared at Jim. “Alright, suppose he was telling the truth. And suppose he was the one who saved Ray Norman’s life. Why, Jim? Why would Coley Rodman risk his life for anyone?”
Jim shrugged. “Maybe he knew he’d have to find somewhere else to go if Ray Norman was killed. Or maybe . . .” He trailed off, abandoning the seed of thought.
“Maybe,” he tried again, “we should ask Ray Norman.”
It is a blurb, but it can hopefully stand on its own, with this background information: Jim, Arte, and some criminals have been mysteriously zapped into the present-day. Jim and Arte are trying to figure out what happened and how to get home. Some of their enemies ... really don't want to leave. For assorted reasons.
I've had plans for a full-length time-travel fic using this plot and crossing over with Perry Mason. This blurb doesn't actually cross with anything, but it does reference Ray Norman, a oneshot character from an episode of Cannon: lucky-ladybugs-lovelies.tumblr.com/post/33517188614/in-spite-of-my-best-efforts-i-was-unable-to-keep
I may post some other stand-alone scenes from this story here, to test them out, if anyone's interested.
The gun was pointed at them before they even made it to the front of the golf cub. The waning light of the afternoon sun reflected off the barrel, as though signaling the danger.
Instinctively Arte reached for his own weapon. It was unlike him to be the first to go for a gun; he preferred to avoid force wherever and whenever he could.
But he, perhaps, had more to fear from the gunman on the porch than did Jim. It had been Arte who had been captured and threatened with sick torture by the gang leader. Whether or not he had intended to fully go through with it, the build-up had been bad enough. Despite having been perfectly calm during the actual situation, Arte still shivered when he thought about it. Being bitten by ferrets carrying an unknown bug and thinking you were bacon was the stuff of nightmares.
“Well. James West and Artemus Gordon. So you really do track your prey to the ends of the earth.”
Jim narrowed his eyes almost imperceptibly. “Of all the places I thought we might find you, Rodman, I never thought it would be here.”
Coley Rodman merely shrugged. “I don’t care for the game, if that’s what you’re wondering.”
Arte stepped forward. “So why are you here?” he demanded. He was aware of the harsh, bitter tone to his voice, but he could not help it.
“That, Gordon, is none of your business.”
“Are you Ray Norman’s bodyguard?” Jim demanded. “Is that why you’ve been at his club for months on end as his guest?”
“No,” Coley returned, his voice firm and sharp. “I’m not his bodyguard.”
Arte nodded in knowing exasperation, having expected a brush-off. “So I suppose you just decided to park here indefinitely, for no particular reason.”
“Does Norman know you’re not from his time?” Jim wanted to know.
“Would it surprise you if I said he does?” Coley shrugged. “And he knows what I did. He doesn’t care.”
“He believes you?” Arte exclaimed, incredulous.
“He believes me. And it’s really of no consequence to you or West.” Coley smirked at him. “As long as I haven’t committed any crimes in this day and age, the authorities can’t touch me. And by the way, you’re not ‘the authorities’ here, either.”
“We can’t leave you here.” Jim’s tone was flat and matter-of-fact. “And you can’t stay.”
“Can’t I?” Coley leaned back in the chair. For a moment an expression of pain creased his features. But then it was gone and he was smirking at the agents again, seeming to enjoy their little standoff.
“Of course you can’t,” Arte retorted. “You don’t belong here! You belong back with us.”
“And what’s waiting for me there? A prison sentence, maybe even a hanging.” Coley had lowered the gun, but now he had it pointed at Arte, his shooting arm resting on his lap. “Do you honestly expect me to drop everything and go back with you to that?”
“It’s of your own making, Rodman,” Jim said. “You didn’t have to choose a life of crime, but you did. Now you have to accept the consequences.”
Coley’s eyes narrowed now. “There are many paths these consequences can take.”
“And just what’s that supposed to mean?” Arte growled. There was something strange about their enemy now, something he could not quite put his finger on. Of course, they had only run across him a handful of times before, but those cases had been so memorable that it was all at once obvious that something was different.
“I don’t have to explain myself to you, Gordon.” And Coley was determined to not. He switched the subject.
“In this time, I’m not wanted for anything. And I don’t see the space-time continuum shorting itself out over my being here. I could live out my life now without any conflicts—except from the two of you.”
Jim was unmoved. “The space-time continuum isn’t even an issue here. As government agents, we can’t just allow you to wander around, in any time. And we have no guarantee that you’re not committing crimes now, either.”
Arte nodded. “You might think that these modern-day prisons would just give you a slap on the wrist and set you free. Which might not be too far from the truth,” he muttered.
“Your benefactor, Ray Norman, is a known blackmailer,” Jim said. “You could be working on some scheme together.”
“But we’re not.” Coley glanced to the front door of the club. “Norman has no desire to become involved in any more blackmail or anything else criminal. The two years he was driven out of his mind by that mad scientist broke him down and erased all taste for crime. You can ask him yourself and see if you think he’s lying.”
“Maybe I could believe that of him,” Jim said. “When I met him before, he seemed like the broken man you say he is.
“But I can’t believe it of you. Not Coley Rodman, the unrepentant gang leader who had no qualms about freezing entire towns in place so he could loot the buildings.”
“Believe what you want.” Coley looked bored now. “You know, West, I have the upper hand here.”
“How do you figure?” Jim frowned.
“Easy. You and Gordon are trying to keep as low a profile as possible. You can’t tangle with the authorities or say that you’re from 140 years in the past. You know they’ll think you’re both insane.
“So, if I decided to pick up this communicating device . . .” He indicated a cellphone on the table next to him. “. . . I could contact the police and tell them that you’re trespassing on Ray Norman’s property. And since I’m allowed to stay here as his guest—as you yourself pointed out—who do you think will be arrested? Surely not me.”
Arte exhaled, deeply and in obvious frustration. “As much as I hate to admit it, Jim, he has a point,” he said through clenched teeth. “We can’t risk bringing the police down on our heads and becoming fugitives in this time we still know very little about.”
Jim stared at Coley for a long moment before nodding and stepping back. “So we can’t take you on Norman’s property,” he conceded. “But you’ll have to stay on it indefinitely if you don’t want to chance being arrested and taken back to the time you belong in.”
“You don’t even know how to get back yet,” Coley challenged. “And until you have a way, I’d be dead weight to you here. You won’t do anything to me, on or off this property.”
Arte closed his eyes, fighting for patience. “Rodman, if it’s the last thing we do, we’ll find that way to get back. And we’ll take you with us.”
“You’ll try.” Coley finally replaced the gun in its holster. As he did, he grimaced again, this time more intensely. A hand flew to his chest.
Jim watched him. It was not a trick; he was definitely in pain. “What happened to you?” Jim asked.
Coley straightened. As he took his hand away, a bit of crimson showed through his shirt. “That,” he replied, “is also none of your business.
“Now . . .” He nodded towards the driveway. “Get out. Both of you.”
“Gladly,” Arte snapped.
Jim was silent as they trouped back down the driveway. Arte could not hold his tongue.
“Boy, was that a jolly place!” he exclaimed. “And did we ever fail. Jim, how are we going to get him out of there?”
“I don’t know,” Jim said vaguely. “Maybe we can’t.
“Arte . . .” He looked to his friend. “Wasn’t there a story in the news about an attack on Norman’s life some time ago?”
“Yes,” Arte remembered. “That’s right! It was around the time we first showed up here.” He stiffened. “Jim! Are you thinking that maybe Rodman did it and was wounded in the attempt? Maybe now he’s holding Norman hostage, so to speak. Maybe Rodman is really the one pulling the strings here at the club.”
But Jim slowly shook his head. “That wasn’t what I was thinking.” As they reached the gate and stepped through, he glanced back. Coley was still on the porch, watching them. Jim turned away, facing Arte again.
“That man’s dead, Arte. It said in the article that one of Norman’s guests shot the would-be murderer and was nearly killed himself when the gunman fired at him right before dying. It didn’t say who that guest was.”
Arte’s jaw dropped. “Oh, come on, Jim. You surely can’t think . . .”
“In some strange way, Arte, it might make sense. I was wondering why he never once got up while we were there. It seems he would have, at least while ordering us away.”
Arte finally nodded. “But a serious wound, one he might still be recovering from, could have kept him down,” he acknowledged. “The last thing he would want would be to let us know he was injured and therefore, not at his full strength.”
“Right. And you remember that newspaper article we found when we first realized Rodman was here. He acted awfully protective of Norman against the reporters trying to mob him about his time in the sanitarium.”
Arte frowned. “I know, but I thought what you thought, Jim—that he was Norman’s hired bodyguard.”
“But he denied it,” Jim returned. “And on that point, at least, I think I believe him. He’d have no reason to deny it if it were true. He’s aware of those newspaper stories and pictures.”
Arte just stared at Jim. “Alright, suppose he was telling the truth. And suppose he was the one who saved Ray Norman’s life. Why, Jim? Why would Coley Rodman risk his life for anyone?”
Jim shrugged. “Maybe he knew he’d have to find somewhere else to go if Ray Norman was killed. Or maybe . . .” He trailed off, abandoning the seed of thought.
“Maybe,” he tried again, “we should ask Ray Norman.”